Music

The story accompanying the title track was a mythical retelling of my experience as an eighteen-year-old hitchhiking across Wales in search of a harp. My quest led me to the workshop of renowned Welsh harpmaker, John Weston Thomas (1921-1992).

The compositions on Changes Like the Moon began as improvisations accompaning storytelling performances at folk festivals and renaissance fairs across the country.

This album was composed while I was living in a remote mountain cabin above Central City, Colorado with my dogs, Sky and Iris.

Sona Gaia means “song of the earth” which, in the case of this album, describes the 15 culturally diverse selections found in this collection.

My music was included in the first Narada/Sona Gaia compilation, and was featured in a Narada collection of harp music, Faces of the Harp.

Two of my tunes were included in the Narada Film and Television Music Sampler.